Building ‘The Electric State’: The Russo Brothers Share Their Vision

Electrical condition Netflix’s latest Budget Sci-Fi is an adventure movie. Friday, relevant movie adaptation, does not fit Simon StålenhagDistopia Graphic novel. It takes audience to an alternative version of 1994. After a civil war between robots and people, after a civil war, it was established in America that looks very different against the background of a country.

This is what the original theme is complete if it sounds. Stålenhag’s story is loaded with a beautiful image that comes out of a sad narrative, like most of his work.

In the case of electricity, Millie Bobby Brown A young woman entering the post-apocalyptic maw to find the missing brother, plays Michelle. The remains of the robot war are felt impossible to felt impossible to the mission. This, until he met Keats (played by Chris Pratt) and robot sidekick Herman (sounded by Anthony Mackie). Together, they face a single-character cavalry and fight the odds to re-contact with humanity with himself.

This is a little Schmaltzy, this is. And this is also designed. You see, this version of the electricity – now the most expensive film Netflix has been developed so far – there is a completely different tone from your favorite book based on this. This foundation has a sticky point for many critics. But there is a different reason for this change.

As a manufacturer friend and I have to say, There were meetings. It was a collective decision prepared by Russians with Stålenhag. During a magnifying conversation with Joe and Anthony Russo, this issue became a deep investigation into the electrical condition.
Read more: Streaming in Netflix: You need to add 20 sci-fi TV shows to Binge list

“We were the work and topics of our favorite about the electricity,” said Joe Russo. “But parents felt like topics, and these are topics on technology and addiction – a younger audience similar to a higher audience will be effective and effective.”

It was an acquisition key. And it was not the Russo brothers who felt this way.

“Simon Stålenhag also has children,” he said. “So we came to this conclusion. You can say a story in any tone and go in any direction you want. You have to adapt him to a new form of adaptation. Thus, it was a smaller, wider audience.”

Two topics are repeated throughout the 2-hour processing period: humanity’s connection due to the application of technology in our daily lives and with dopamine addiction with it. Paraphrase Kendrick LamarRussos “Turn off the TV” to young viewers.

But how do they reconcile how to reduce this message to reduce the screen time through a story that should be seen on a screen?

“There is only so much way to reach a wide audience,” Joe Russo said. “A film screen claims that it is a television screen or telephone screen, and to watch the news from the world, to use the stories that are part of our addiction, it is a part of our addiction and indifferent concern and depression.”

This is worth showing that it is not a technological propaganda film. It would be very easy to go to the direction of the narrative. Anthony Russo agreed, “The message of this film”, Do not use technology“

Continued: “The film technology has a real connection to our paradoxical relations and technology; there is a real connection you can find in technology, but you can find the opposite.”

To support this statement, the film asked for two samples: Keats’ s robot’s Herman and Michelin’s brother’s brother’s use of original love links.

I can’t discuss the electricity without speaking from attractive visual effects. It is safe to say that there is more robots than the actual human characters in the film. Solving such a creative problem means tirelessly to ensure that technology feels the appearance and analogity. I will admit that the differences between practical effects and CGI were harsh. This is a success.

So it’s digital and how real was it? I don’t have exactly statistics. “At any time, the actors interacted with the robot, we threw those robots,” said Anthony Russo. Rather, they throw away the actors of capturing talented movement to play robots.

“Those who train for weeks and train for weeks and are complete, full-sized actors who helped prepare these symbols a few weeks before.” “In terms of how they move, we have performers playing those robots in the set.”

The development of these unique robot characters did not stop there.

“Many more famous actors were sounded,” said Anthony Russo. “We will show the conceptual art we have held for the characters, we will take voice performance and use this sound performance with our capture troupe.”

The finished product was applied after production after two years, more complex digital graphics. “It took a long time to look realistic and see as there,” said Anthony Russo. “There were so many layers and are very realistic, tucking starting performance between robots and actors.”

Anthony and Joe Russo have been about three years before the power of electricity. Throughout our talks, through the stories, it was easy to see how much associated with the subject to deliver emotions. As Anthony Russo puts it, it hopes that the audience hopes they are experiencing.

“We think it can be a strong form of human relationship, and of course, there is a great topic in the films,” said Anthony Russo. “How do people bring together? How do families come together? Families?

With a laugh, a laugh, Anthony Russo brought us to speak with a smile from the heart: “This is what makes it really for the movie.”