The United Kingdom plans to organize ‘existential threat’ to film studios, warning the Bridget Jones manufacturer

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The boss of the British Cinema studio, the British government, ai, ai warned that copyright laws for the thinking of the AI ​​developers.

“There have been a very serious contribution to GDP from a cottage industry for 40 years,” said Eric Fellner, who has been behind the Bridget Jones Franchise since the early 1990s.

The creative industry is now one of the most important parts of the British economy, “he said. “If it intends to give IP to technological companies, it intends to make a large tooth in our future and allows you to get income in Britain.”

They give advice to “refuse” from the author and companies to ensure that the ministers, artists, authors and companies are allowed to use to develop AI programs. The proposals were criticized by British musicians and artists, including Kate Bush, Damon Albarn, collisions and Hans Zimmer.

The film has become a large source of economic growth for England, to make places in sites on sites like a generous tax loans system, PineWood and Shepperton.

According to the BFI, the British film and high-level television production costs were £ 5.6 billion in 2024, in about a third in 2023 and in advance for advanced production of 2019.

The job title is best known with the best rheus romcomers Notting Hill, Four weddings and funeralsand Actually loveAt the same time, it also has a broad portfolio of more serious dramas Senna, Tinker tailor’s spyand the latest Substance.

The fourth Bridget Jones Jones film opened this month, was determined to be the largest in the company’s history, Fellner predicted the last record for 48 million groups.

“Each area has opened larger than any other three bridges,” he said. Bridget Jones: Crazy about the guy The highest opening for a romantic comedy in the UK, as well as the highest opening for a title movie that works.

Supporters often flocked to the heat and comfort when the news is often involved, and critics say that the film enters a trend to popularize the younger generations. He added: “How do you enjoy a story about people who are struggling with the crowd of teenagers and enjoy people about people who have been up to date?”

Meanwhile, older generations remember the first film and the original, the taboo-busting book – a nostalgia night with a friend.

Fellner said the performances were pleasantly surprised by the “scenario that the script is really good.. The story is more meaningful and emotional, I think anyone is waiting.”

Franchise was unusual to see the actress partially aged with the character in the films.

“Usually people are prone to reconstruction,” we love, but we love the character of “we love us, and are very rare that a character is more than 20 years and the stories of the actress.”

He said most of the time “creativity is tired. It’s very difficult to be genuine in a world you have already told three stories.”