A new age of Iranian cinema is being demonstrated in Oscaries

A wife, who opened a night spoon and hair, lies with her husband in bed. An older man and women, drunk, savagely dancing in red wine and discuss the complexity of sexual and nakedness in their age. Another young woman navigates a man’s employer’s sex developments in a business interview.

These scenes can simply appear on the big screen of a common life. However, there is nothing extraordinary in the three Iranian films released in the last few years, Iran’s floating cinema is an emergency.

These films and the trends represented, internationally recognized and earned norms. One of them, The “Sacred Share” written and director by Muhammad RasoulofOn Sunday, the Academy Awards will compete for the best international film.

52, the Government Rasoulof, the 1979 Islamic Revolution in about five decades after a number of prominent Iranian directors and artists with a number of government censorships applied in about five decades. These rules touch and dance with the descriptions of women without hijab, alcohol consumption and men and women; Also, the movies prevent touching taboo subjects like sex.

In a civil disobedient and inspired collective action 2022 women’s leadership in Iran And many women say that Iran’s directors, Iranian directors, finally decided to simulate real life in their countries.

“The women’s life freedom movement was a major point in Iranian cinema,” said Mr Rasoulof, citing protests in 2022, he died in police control over police control and compulsory hijab rules.

“Many people, including the cinema industry and artisans wanted to break censorship chains and freedom of art, said Mr Rasoulof, now in Berlin, where he lives in exile.

Mr. Rasoulofun Triller Drama follows the fictional judge for Iran’s Islamic Revolutionary Court The upset of the rebellion of the teenage daughters, which turned into him in front of him as the protests erupted.

The drama of the judge’s family, a metaphor for a larger struggle in Iran, the government’s protests were savagable. Many women still oppose the hijab government that appear in the public without covering hair and bodies, and young people are clear – by dancing with the choice of public spaces or music and clothes – Lifestyle differs from their religious very conservative leaders.

Mr. Rasoulof, the required government, made a reliable film and a licensed film and made a secret film. Like all the brave Iranian films, which are underground in the last few years, “St. Sechi seeds” could not be broadcast in Iran, and instead, he was distributed to the international level. It is competitive in the Oscars as a candidate from Germany, which brings together it.

Mr Rasoulof fled Iran in May The CANNOOM Festival is at the Kanni Film Festival a few days before the Prime Minister of the filmand after him after being sentenced to eight years in prison and filtered for the charges of political activity and art. Eight months were previously arrested in 2022.

Iran’s revolutionary court opened a new criminal case against Mr. Rasoulofa, his crew and some crew members, the film threatens Iran’s national security and emergencies. However, he said that everyone is valuable to everyone’s risk.

Most of the members of the film’s main wear, now the leading actress in the country in the country, leaving Iran, except for Sohila Golestani.

“It was more than moving in a movie for me,” Ms. Golestani, 44, said in an interview from Tehran. “Something like social responsibility. Of course, to present a true picture of a woman who is never able to appear on the screen.”

Risks for actresses are grown. Allows the violations of the law that they just put their hair in front of the public or the camera. However, a number of famous actresses have already announced that they will not wear hijabs, restricting the casting options and the lack of risks that create the government’s wrath. Forced some exile.

52-year-old Favorite film star Vishka Asayesh, in the summer of 2023, Iran left Iran with intelligence agents in the summer of 2023.

“Enough, the treachery of my fans and all young people felt like to protest against all young people,” he said Ms. Asayesh, who is now living in New York. “It was not to participate in the action for this change.”

The struggle between artistic expression and government control continues. Iran’s television series is a new hit, “Tasian”, “During the early 1970s, he was determined during the masterpieceThis was revoked last week, this last week was banned from the flow platforms, because women’s characters showed their hair and danced and danced in nightclubs. Show director Tina Pakravan, against the government by making all the series in YouTube on Friday. Live in Iran.

“Why is a artist who should be a mirror of society, just forced to emigrate for reflecting the images of his people?” Ms. Pakravan said in a telephone conversation from Tehran.

International coalition for directors at risk protecting freedom and security, Recently, two Iranian director, Maryam Moghadam and Behtaş Sanaeeha organized an application signed with more than 100 prominent figures in the global film industry for two Iranian directors. Critical-liked film is a person convicted of “my favorite cake”.

“My favorite cake” Since the Revolution, a subject in Iran’s cinema is investigating a topic. In the 70s, a man and woman, labeled with loneliness and spend a romantic night together. They drink wine, dance and discuss sexual intercourse and their insecurities to rob naked. Leading actress on a stage, lili Farhadpour, a fragrance under the fragrance waiting for sexual relative to sex.

“In a way that a large part of the Iranian society goes on the true life of the day, his loved ones and moves, 52, 52, a telephone conversation from Tehran.

He and his husband wrote the scenario of the protests that lead the women who catalyzed so much other directors. Their film has been published in the world since then and 17 international awards, including 17 international awards, including a new director competition at the Chicago International Film Festival, including the Berlin International Film Festival.

Like Mr. Rasoulof, they can also result in national security and may result in a revolutionary court in prison and leave the country to leave, work or teach. The first test date is Saturday.

Mr. Sanaeeha said that he will support independent Iranian directors in Mr Rasoulof’s Award, and the academy will change the rules that require the country’s government to be nominated by international films. The rule effectively closes the new wave of Iranian films.

“Every director dreams of making movies in their countries,” said Mr. Sanaeeha. “We have never seen our film on a large screen with the theater or spectator.”

Leyze Nikounazar Contributing report.