Forgotten Indian actor who lost his inheritance to oppress

At a time when the women participated in the women’s film industry, a young woman dared to dare to dream differently.

In 1920, in India, PK Rosy, PK Rosy, was now the first female leader in the Malayalam-language cinema in the south of Southern Kerala.

In the 1920s, he starred in a film called Vigathakumaran or lost child. However, instead of remembering as a pioneer, the story was buried – caste discrimination and deleted with social lag.

Rosy belonged to the lower Kasty unity and faced closely criticism to describe the Upper Casty woman in Vigathakumaran.

Almost a hundred years later, there is no proof of the survivor of Rosi’s role. The film was destroyed and the cast and the staff were all dead.

Just a few pictures of a movie Competitive press release In 1930, in 1930, with a popular rule and white photo, which is popular by local newspapers, is popular with the only portrait of Rosy.

Even a Google Doodle celebrates 120 years old The photo used a womanlike illustration. However, Rosy’s nephew and others who examined his life told the BBC, which could not tell him he was in the picture.

PK Rosy was born in the early 1900s as a rajamma in Travancore Kralancore Kingdom.

Herbs were belonging to grassy society, which is part of the Dalits, which is under the rigid Casty hierarchy of India and historically depressed.

People who are from Masaya’s society were considered auction with slave labor and land, “Malawika Binny, a history professor at Kannur University.

“They were considered to be the lowest. They were thrilled, were raped, trees were tied and postponed in any words,” he said.

Despite the social problems, Rosy chose to dream differently.

He was supported by his uncle, who was a theater artist, and with his help in the Rosy entered the entertainment area.

“Rosy’s life is small, but it is known that it is popular for their speeches in local plays,” he said.

While admiring the acting skills, the dalite was rare to move the woman at that time.

“It was probably aware that it was a new arena and it is visible,” said Prof Binny.

Soon there was a well-known figure in local theater circles and the talent was caught by the director, who was looking for a character named Sarojini, was arrested through the eyes of JC Daniel.

Daniel warned Rosy’s helmet and chose to build him in the role.

“He was paid five rupees for 10 days a day,” Mr. Abraham. “It was a large amount of money in the 1920s.”

On the premiere of the film, Rosy and his family were deprived of examination.

They stopped because they were dalits, Rosie’s nephew Biju Govin.

Thus, the people of events began the chain of events from the eyes and their house.

“The coming crowd caused two things to watch the film: Rosy, choosing a flower from his hair, choosing a flower and kissed a flower,” he said.

“They started throwing rocks on the screen and ran Daniel,” he said.

There are accounts distinguished by the degree of damage to the theater, but it is the clear thing that the event is both Rosy and Daniel.

Daniel spent a lot of money to build a studio and collect the spare to remove the film and owe hard. The director, which has already been expanding to the widespread social and financial pressure, has not created another film like the father of Malayalam cinema.

After Rosy was angry with his hometown, he fired his house.

He cut all the connections with his family to avoid recognition and not talking open about his past. He married his life and rebuilt his life and took the name of Rajagal.

Mr. Nadu, in Nagercoil, in the city of Nagercoil, lived in the dark in the dark.

Dalit actor, Dalit actor, Dalit actor, Dalit actor, Rosi’s nephew Mr. Govindan said.

“The children were born in the upper case Kesavan Pillai’s identity. They chose the seeds of their fathers in the womb,” he said.

“We are part of the PK Rosy’s dalite personality before the release of the film, the film.”

“In the space where they live, the caste limits them from accepting the heritage of a dalite. This is not a place in our reality and family.”

In 2013 A Malayalam TV channel Rosy’s daughter, who lives in financial tensions in Tamil Nadu, watched Padma. He said he did not know much about his mother’s life in front of his mother, but he did not act after that.

BBC, Rosy attempted to contact the children of Rosy, but relatives said he was not comfortable.

Prof Binny says that the deletion of Rosy’s heritage shows how deep caste can be trauma can work.

“It can be so strong that shapes one’s life or determines one’s life,” he said, finding Rosy a safe place in the end.

In recent years, Dalite Director and Activists tried to return Rosy’s heritage. Prestigious Tamil Director Pa Ranjith has launched an annual film festival in the name of the Dalit cinema. One Cinema Society and the foundation is also built.

However, Rozhy has a meaning to be saved in the end and the price of the personality.

“Rosy did not try to live on art and eventually speaking openly or back to the lost identity. It’s not his failure – Society,” Society “says Mr. Govin.

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