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Ngugi Wa Thiong’o loved to dance. He loved it more than anything – more than writing. In his 80s, the body’s increasing renal deficiency, Ngugi’nın, Ngugi’nin, will never start dancing in musical thinking. The words with rhythm legs flowed with their hands and to the page.
NGUGI – I will always remember with dancing. On May 28, 87 years old, 87 years old, not only a decent literary heritage of Nobel, but a complunity of a deep innovative craft and piercing criticism that complies all our societies. As for me, he forced the cocoon to a deeper tea until the refugee camp, where the free combination, thinking and freedom of cultures, it is something that will always describe the freedom of speech, always as the greatest gift of speech.
Ngugi was a member of a charter of African literary Canon and perennial Nobel, when I met him for the first time in 2005. When I met him, when I met him, he became inseparable from his writing, which in turn is one of the largest public intellectuals in Africa.
Ngugi’s fame and uncertain smile and laughter, as a sacrifice, as a sacrificial and sacrificial, the body and human beings, such as the sacrificiality and spirit, hid a deep rage.
Mau Mau Revolti, the body of Mau Mau Revolti, which is the basic engines of the foundation motors of the foundation motors of the foundation motors of the main engines of the latest engines of the last decade of the last decade of the British government, Mau Mau Revolt, which is the reality of Mau Mau Revolti.
After these events, Ngugi’s cartoon irony after these events, the moment of the British crossing the Kenyan government and the colonium with the British and Kenya’s new, Kenya’s new, Kenya rulers are nothing to do.
It was a writer and playwright, Ngugi was also a military officer to use the English government “Complex, tribe, national and cosmopolitan” in the previous seven decades.
After the first play, in 1962, a black Hermit, which took place in Kampala, was announced a vote called “Speaking on the Continent”. Two years later, the first novel and the first novel and the first novel and the first English-speaking novel by the East African writer came to cry.
When it rises to his destination, Ngugi decided to give up English and start writing in his native Gikuyu.
The trajectory, which became the native language (re), not its career, but also a clean-eyed critical trajectory of his life, and the capacity of the national rulers in their own language, and the national rulers were arrested in 1977 without trial.
When he started writing in Gikuyu, Ngugi understood and the reality of neocolonialism in the more prison, the main mechanism of postcolonial rules. This was not the standard “Neakimalism” described by the ongoing power of the former colonial power after the official independence of unfulfilled activists, but many Jomo Kenyatta, NGUGI liked it.
Thus, the actual decologie can only be released from foreign control, the first and perhaps one can be released in the native language of one’s native language.
Although he rarely confessed, the concept of NGUGI’s very debt, Kwame Nkrumah and other anti-African intellectuals, “Decolonial” and “Local” political leaders and “local” political production explained almost a generation and progressive cultural production.
Indeed, Ngugi long ago, Homi Bhabha and Gayatri Chakravorty Spivak were placed as a structure of generation and criticism. But he said and often said that he often discussed the Polish-British writer as his brother and his wife Joseph ConradAs a comprehensive focus, even if he says, even if he said, wrote the prose, not in English, not in English.
For this and Ngugi, the colonization was not yet passed, but a reality that continued, visual and violent reality is a colonial in the previously more violent and eventual destruction point.
Ngugi has seen its connection with those who are in the growing general experience in the British government. As explained in a word recently published Anthology of Egyptian Prison Since 2011, “the power of the authority was the center of the colonial culture of silence and fears,” and the silence violates the silence, and the silence could only be the first language.
He said that he has created something in Arabic and English in Arabic and English in his mind since childhood “Primal instability“As in Palestine, as in Palestine, as he returned to the last decade of his life. For Nguyu, even Gikuyu’nun ‘imagined, (prison), (prison) could not return home in recent years.
However, in the United States in Orange County, the United States would not want to use the language to “write their young colleagues in California in California” to use the language to oppose the content they found. The bird would always flight, if you can write without fear, he said.
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