According to experts, how to win the Eurovision Song Contest

This Eurovision Song Contest About 163 million people were watched last year, 163 million people were followed by 163 million different views.

Are you going to a warranty balada, a warranty balada, full of foggy eyes and peace and peace of Europe and peace and peace?

Or a cheese Extravaanza, completed with Sousy, will be Raving in the living room of the entire continent (and Australia), the regional dresses and eye formation?

According to Bennettin, this is a bit reliability with every Eurovision song that falls on six wide lyrical lyrics: “Love, unity, songs about partying, history and songs.”

It adds that “Songs of self-confirmation or lyric self-strengthening songs are very good” – as seen with Austria 2014 winner Climb like a phoenix (Conchita Wurst).

It may be charming to move above the building of the apostles, but according to our experts, it may not be a way to ensure victory.

Songwriter Thomas Stutgaard Co-wrote Denmark’s 2013 winner only tears (also Britain’s input this year Hell occurred only by remembering Monday). He made their success, partly in a simple structure, made it easier to remember.

“If you asked a child to pull this structure, if you could, there was a girl who did not have the shoes, two boys play a drum and flute boy. It’s very simple, but worked.”

Vocal coach Carrie Grant, who In 2014, England led the jury In 1983, as part of sweet dreams, he became the sixth in the competition.

“There is nothing worse than the scene has a lot of money, but it does not guarantee their performance,” he says. “This performance looks worse.”

2014 winner (and Carrie’s Private Sevimli) Conchita Wurst – The first move to win the competition from supporting the stage since 1970.

The thing that Conchita differs, he was a black queen of beards. Carrie thinks that the Eurovision fans loved the “LGBT community” and loves the “Eurovision”.

However, he is not a bright singer that can concel the things we call “money moments” instead of “instead of” instead of “instead of”.

Small-key songs are increasingly preferring to Eurovision.

Bennett “is a big equal, small, sad, sadly,” the idea, “Small buttons are a shortcut for more emotional depth.”

According to the press association in 2023, in 2023, 85% of the finalists performed in small keys. Only two main major songs have been won in the last 20 years – 2011 Fleeing fear (for Azerbaijan) and the love of both of 2017.

Professor Elizabeth Hellmuth Margulis, the MARGULIS, which is a researcher in music cognition in Princeton, emphasizes the sensitivity of the source – the instinct of connecting the voice of a song with the intended context. For example, several bars of several bars, for example, have a mental image of a DJ that can be a dark nightclub and there.

This, certain small buttons immediately signals the “Eurovision-Ness” to the Eurovision Ness.

Hell, the head of a song that happened on Monday, remember that many songs, who are the author of many songs along with many songs to write the perfect song for the UK law.

The song was written in a major key in a large key to be in the sea of ​​small-key songs – England in a similar sea in 2022. Space Guard by Sam Ryder (B mayion).

It is important to make a songbag in the drawing of the painting, Margulis says. But the songs should refrain from repeating too much. Margulis says that the thing that makes a song attractive, especially when they hear, but at the same time, but also a surprise.

The winner of Bucks Fizz 1981, To make your mindis a classic example. First, the song changes the key tracking quickly Change in memorable costume To detect short skirts, female singers have fallen and joint visual and music twist.

Earlier Eurovision winners were teased for nonsense words as the 1984 winner of Sweden ThisBut Bennett claims that these points strong attention on Eurovision’s melody.

“Eurovision really needs great melodic hooks. You want people in Europe to read that ringtone. It is important for a very accessible, attractive choir.”

The main changes have long been a way to present Novelty to Eurovision songs. The 2000s saw numerous winners who watched this formula, including Olsen brothers Fly on the wings of love For Norway (2000) and The prayer of Serbia In 2007.

However, as Bennett pointed out, although the finalists are still in five, no song that has a change in the final chorus, won almost 20 years ago.

Stengaard’s song for England this year, of course, is full of surprises on Monday. BBC Music Correspondent Mark Savage, said the song “A dizzy change of the main changes and tempo change” said.

The song is answered when he wrote to Eurovision: “How do you stand in a competition where everyone wants everyone else?”