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Canon has left 20 cameras since In the use of RF Mountain in 2018But there was a gap in a key market: Vlogging. Now the company patched by starting this $ 700 R50 V This is designed to be directed and accepted to the creators in the budget Sony’s ZV-E10 II.
There are 24-megapixel aps-C sensors like R50 V, R50, but like 4k 60p videos, C-Log3, a side tripod compartment for vertical video and vlogging friendly features like a side tripod slot. This is cheaper $ 1.100 ZV-E10 II and even a little less than the elderly ZV-E10. After some long testing, I saw some basic features that make it easier for those who are easier for beginners compared to the opponents.
Canon’s EOS R50 V, a solid budget vlogging cameramic thanks to excellent video quality, but lose important features compared to competitors.
Like other vlogging cameras, R50 V, size, both in size, and in terms of control. This reduces the stiffness and airproching, but there is a polycarbonate body that helps to cover only 323 grams. The grop is also smaller than R50, so it is not ideal to use with great lenses.
A key feature missing from R50 is an electronic vision. This is also with ZV-E10 II, but the absence of one can be difficult to shoot it in bright sunlight. On top of that, the back screen is low and is not particularly bright. However, it is fully expressed for vloggers and slides around.
R50 V is designed for management through the touch screen, so there is less hand management than other Canon discount models. There are tops, rear and rear collections to set the basic functions such as IRIS and shutter speed. However, you should use it to control both of the fewer awkward ones.
Front Rocker, new 14-30mm f / 4-6.4, this camera is designed to manage supportable Canon lenses as a broadcast STM PZ at the same time. You also have live and color buttons dedicated to creators, plus six different video settings are a mode call.
The menu system canon with colored coded pages for typically each category (video settings, autofocus and more). However, the key settings can be adjusted from the fast (Q) menu using the touch screen during vlogging. Of course, the features from that menu can be reprogrammed to your choices.
There are both a microphone and headphones, along with both R50 V, microsmi and USB-C ports. This uses a smaller EP-17 battery that is in 300 innings in an hour video shooting or 300 innings, both ZV-E10 II (113 minutes and 600 innings). There is simply an SD card slot, but fortunately this is the faster UHS-II type. Finally, there is a very handy feature for the creators of content: there is a tripod slot on the side to facilitate solo vloggers to shoot vertical videos.
Video and vlogging are the main power of R50 V compared to R50. C-LOG3 and 10-bit quality can take 4k 60 FPS videos, but also 4K 60 FPS videos. However, 4K 60 fps setting, but also bokeh, but also requires 1.56x products to reduce quality. Sony’s ZV-E10 II, as contrast, only requires 1.1x product for 4K 60 FPS videos.
Lack of z50 v’s body stabilization. This means that R50 V has significantly relying on the reduction or electronic stabilization of girs. To be fair, it should be expected in this price range and missing the body stabilization of ZV-E10 II. The electronic system is a good job to eliminate the jolts from fifty videos and trying to move quickly, when the actions are excessive, the images may seem soft. The “advanced” electronic mode that applies a small product, designed to look “locked” as you use a tripod to make hand shots.
The background blur and product showcase keys are also noticeable compared to ZV E10 II. It is very bad because the creators often use these features to facilitate objects or touch the background behind a topic, you will be forced to build these things manually.
Rolling shutter distortion is quite noticeable in this cell, which is around 30 m compared to 16 s, ZV-E10. This means you can result in a sudden Pans or Jolts “Jello Effect” video. This time, although moving around the topic, video autofokus is fast and reliable. AI-generated face and eye detection are firmly locked in a firm and can safely watch the animals and vehicles.
Canon Panasonic and Fujifilm pulled a page extra page in R50 V. This allows you to quickly select shooting modes such as standard BT.709, C-Log, HLG and PQ. It takes movies with modes that have another parameter, portrait, delicate detail, loyal and monochrome modes. And the latest “Color Filter” mode, the results are a little cheesy to me, although it seems a little cheesy, the teal and peaches allow you to take color-painted videos.
R50 V with a built-in cooling fan is more resistant to warm up more than the smallest cameras. When marked standard 4k in 30 FPS, I had 60 straight minutes without an extreme warming. The issue does not use the reduced part of the sensor in 4k 60p, or this regime.
In general, video quality is acute in detail when using 4K 30 FPS mode. Colors are rich and accurate and are pleasant with a warming for skin tones, canon recognition. The 10-bit C-Log3 images provide a prominent dynamic range for a camera so cheap in shadow and highlighting areas. However, 4K 60p videos are significantly soft and 1080p 120 FPS Ultra SLO-MO setting HD standards do not have acute. The low light capacity is moderate for the aps-c camera, the noise is clearly visible starting in ISO 3,200 or 6,400. In addition, it becomes a period of survival and difficult to use the noise reduction tools.
Although photography is not this camera Reason for beingR50 V is awarded from this point of view. In a fairly fast enough camera, 15 fps with 12 fps, which are electronic shots or mechanical shots, can quickly hit rapidly. However, this speed cannot last for a long time due to a small buffer that captures a total of 36 crude.
AutoFocus is a strong point again, track tracking subjects and keep photos sharp. As in the video, EU-energetic face and eye detection are fast and reliable for people, animals and vehicles. Rolling Pancher is a problem with photos, as with video, but because of the mechanic first curtain shutter of R50 V, you need e-mode for photos. The lack of stabilization in the body should be a durable hand to draw sharp images in low shutter speed or you want to shop for lenses with optical stabilization when this is a problem.
The picture quality is the same as R50 because he shared the same sensor. For normal shooting, I saw colored pictures with skin tones based on the warm side, as Canon’s color science is typical. JPEGS strikes a good balance between noise reduction with reduction of sharpening and noise reduction, and raw files allow you to bathe images in a dignified amount. As in the video, low-light performance is not amazing, so I would not have not been too dark to make another movie, I would not go to ISO 6,400.
Canon’s R50 V, a very good attempt for vlogging camera, tapping the mark in key areas such as video quality and use. However, his opponent, Sony’s ZV-E10 II, nearly every area, better video quality, higher photo resolution, faster autofocus, like a shortcut of R50 V, with smooth electronic stabilization and neat features
He said that Canon targets more than $ 700 for ZV-E10 II for the ZV-E10 II (only $ 7) for ZV-E10 (only $ $). VLoggers will easily get a smartphone that beats a smartphone when it comes to the latest product. If you have an additional $ 400 to spend, I recommend ZV-E10 II instead.