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This month ago, in the conference of play developers in San Francisco, I received a chance to sit with Katamari’s Diarphas, Wattam and many other silly and healthy games Keita Takahashi. He can’t turn the incident to the incident, a young young man who sticks to a penny – in other words, the elbows and shoulders can bend.
As I discovered part of the game in a preview session, Takahashi has a stronger narrative than a T’s previous work and comes when you control the child and live life with this situation. After the demo, when the game is developing, why he loves to think outside the box, and he loves his upcoming title, especially what personal experience for his boastful teens.
Takahashi’s T’n’nin May 28 is planned to offer many security for Xbox series X / S, PS5 and PC. This interview has been slightly edited for clarity.
Q: What was the inspiration behind the concept of a young man in a T?
Takahashi: It’s not inspired, but I had an idea. I just wanted to make a simpler game. Then after finishing Wattam, the next opinion was trying to control the arms of the main character – catch or shoot or shoot or shoot or do something, simply a very simple Warioware-game type.
But I thought it was dumb; It is not interesting for me; A game that is so boring. But at once, the player thought he did not include anything; It will be fun. Then I’m more inspired than this point.
What is Keita Takahashi game A Keita Takahasi Game?
Takahashi: This is an unexpected question. Maybe every game, I’m working on new things. This is a very narrative and it is very new. But you know that the story of the narrative is not new to other people, so it’s not so unique.
Keita Takahashi T-fixes me.
Why is music a great component of your game?
Takahashi: Yes, I want to say that the music, of course, is super special for me. That is a game designer at the moment. I need [use a] PC or console and I need power. You also need a monitor. I need a roof. And i need a couch to play someone’s game and it makes them happy or enjoy [it]. But we do not need music, such fancy equipment. If you are a vocalist you can simply sing. And then if you guitar, just read the song, play music and make people happy and [feel] nice.
I always want this ability. I am a kind of shy; I don’t have it. This skill always makes me think, oh, the music is so great. I want this item in my game [which] It would be very useful for people to get more of my game.
Have you ever thought about making a rhythm game?
Takahashi: It’s not yet, perhaps.
Crankin time travel adventure.
You have worked on some unique platforms like Crankin’s time travel adventure. Can you talk about it a little or talk about where or what you want to do?
Takahashi: Oh, did you play my game from Playdate?
Yes.
Takahashi: Oh, really. You finished?
I don’t think I’m done with me.
Takahashi: (Laughs) I think nobody finished this game.
Yes, I know that people complained that it was very difficult. Yes, I know because I like the Playdate, the entrance is unique. I don’t think it’s super, super unique, because it was perhaps the Playstation 2 cycle [a] Controller, you can twist in the middle or something. Also, the PC mouse is the same entry. I love the concept of the device and that it is super limited to what makes it special: only white and black screen, and CPU is super weak.
And this has given me a restriction to think of designing [Crankin’s Time Travel Adventure]It’s a very good thing as a fun problem. If the console is super strong then I can do anything. This would be longer than the development period, it would be two or three times more, which is not so good. I hope the console does not improve, [and that we] Keep Playstation 2-period style.
What can you expect in a T for your previous games fans?
Takahashi: I know that my game for some people seems super or unique. Then they try to prevent my game, because it seems very unique. I just want people to try this game because it’s not so unique.
A giraffe from a T.
[My CNET colleague Faith Chihil asked the following question] I have topics of belonging and loneliness – were those who were taken from previous practices?
Takahashi: Yes, of course, yes. Japan is the type of country with many problems for young people. I don’t know why I was insulted. Maybe I was a little fat but not a little: I was a big. It was a really hard time. Of course, I did not want to go to school as a young man. But for some reason I could survive this difficult time, and I also think I was a little lesson from this bad experience. This lesson has kept me, a kind of pleasure for people.
I think I was thinking, this was the thing I wanted to put in this game – very rough and still not almost clear; Also, I want to play all the game [to understand] – We must focus on younger generations. We don’t care about young people right now. For the next generation game developers. I am currently in adults – very big. I just thought about myself, what to do, what to do, what I want to do. I didn’t think about the next generation.
I was shocked when a girl said, “I don’t want to be a baby because it is so risky for the surroundings.” When I heard this news, I realized that I did nothing on earth. I will try to reduce garbage or use less electricity or not to drive too much. But that girl just punched me. I think I need to do something for the younger generation, you need to be a voice. Part of this game is the subject of this game.
