The tragic life of a kinematic genius indian

When he died in 1964, the Indian director and actor Guru Dutt was only 39 years old, but he was back in a kinematic inheritance that continues to resonate in decades.

On July 9, 1925, he celebrates his birthday next week, south of Karnataka. However, the man behind the camera, emotional confusion and mental health struggles were not clearly studied.

WARNING: There are details that some readers can be distressed in this article.

Like Pyaasa and Kaagaz Ke Phool, the film school of the film school – Dutt, Dutt, Dutt, the deep, introspective style of the film was stole in the film.

Its complex characters often reflect their personal struggles; Rocks touched the audience to universal motives that invited to face anxious realities through amazing real movies.

The beginning of Dutt was modest and was noted in childhood financial difficulties and turbulent family life. A young Holt was inspired by the culture of the region after the Eastern East India’s work for the work for the work of the India.

Surname – Padukone – After entering the Bombay film industry in the 1940s. The debut did not like the director, but as a choreographer and also worked as a telephone operator. Tensions and uncertainty of the decade – India’s independence struggle has intensified – affected the perspectives of the director.

During this phase, Kashmakash, artistic frustration and social disappointment, later wrote a story that forms a cinematic masterpiece pyaas.

Devtun Friendly Friendship Dev Anand – soon gained fame as an actor – helped him to take his first film in 1951.

Soon the singer found love with Geeta Roy and with many of these first years was the happiest.

After the Dutt launched its film company, a romantic comedian Aar-Paar and MRS and MRS 55, 55 of the Aar-Paar and MRS 55, participate in leading roles. However, for the depth of art, the film, which determined the film – Pyaasa, guided.

Difficult shot, an artist’s struggle in the materialist world and decades, the fight over the world and decades would continue to be the only Hindi film of the 100 largest film of the 20th century.

Lalitha Lajmi, who cooperates with me when I wrote a small sister, biography of DUTT, said that Pyaasa’s brother was the “dream project” and “he wanted to be perfect.”

As the director, Dutt, because the film is formed in the sets, “Create” in the scenario and dialogues, making a lot of changes in the scenario and dialogues, ‘Create’, ‘Create’. While recognized with landslides and sympathy, this has reached the level of concern during Pyaasa – for example, he hit 104, now took a popular nail sequence.

When Lajma would shout and worsen when he said.

“Sleep turned it on.

In 1956, the dream project was nearing completion, 31-year-old Dutt attempted suicide.

“When the news came, we were hurried to Pali Hill (where he lived.” “I knew he was in his confusion. He said that we had to talk often, but when he was there,” he said.

However, after the discharge from the hospital, the family was not wanted by professional support.

The mental health was a “social stained” theme, and the pyaasa’s large money, the brother of his family, he said he tried to move without spectacles.

Pyaasa, who was released in 1957, was a critical and commercial victory of Dutt Pyasta in Stardom. However, the director often expressed a sense of space despite his success.

Pyaasa’s Chief Cinematographer VK Mustat, “I wanted to be a director, I wanted to be an actor, I wanted to hold good movies. I have everything I have, but I have nothing.”

There was also a strange paradox between Dutt films and private life.

The movies are often strong, independent women, but on the edge of the screen, as Lajmi recalls, he hugs his wife more traditional roles and just wanted to read in the films produced by his company.

To develop his company, Duttun had a simple rule: each artistic gambling bankabe must be watched.

But with the success of the pyaasa, he ignored his order, and he lived straight to the most character, expensive and semi-autobiographical film: Kaagaz Ke Pool.

Explains the story of a director’s unhappy marriage and a mixed relationship with Muse. After failing to reconcile with acute loneliness and convict relationships, the director results in death.

Now, although it is classically high, it was a shortage of trade, and a blow was never passed.

Documentary in 4 channels searched in Guru Dutt, his co-star Waheida Rehman remembered him “Life Meini Hi Toh Cheezen Hai – Kamyaabi Aur failure. (There are only two things in life: there is nothing between success and failure). “

After Kagaz Ke Phool, no movie was re-directed.

However, his company was restored over time, and he made a strong return as a manufacturer with Chaudhvin Ka Chand, who was the most commercial film of his career.

He then launched a reliable screenwriter Abrar Alvi’s owned Bibi Aur Ghulam. To this time, Lajmi was in a fierce confusion with the change of personal life and mood.

The film was loneling a philanthropist, a woman who trapped with the host of the landlord.

The writer Bimal Mitra reminds me of his struggle with his struggle with insomnia and sleeping pills during this time. Until then, his marriage collapsed and mental health deteriorated. Mitra, Guru Dutt reminded many conversations with a constant refusal: “I think I will be crazy.”

One night, Dutt tried to take his life again. It was unconscious for three days.

Lajmi, after that, according to the doctor’s advice, his family, his family called a psychiatrist to ask about treatment for Holl, but never watched. “We never called for a psychiatrist again,” he said.

For years, he believed his brother silently cried for help, and maybe he could not see his pain, he could not find a way that he could not find a way.

A few days after Dutt, it was evacuated, shooting for the owner of the owner, nothing happened.

When asked about the Mitra event, “I often thought about how many riots I thought about it, how much I think about it, how much I think I’m bent?

The film was successful, India became an official access to the 1963 Berlin Film Festival and won the national award.

However, the personal struggles of Dutt continued to collapse. Despite his wife and moved in the films, deep solidity, often lying in a deep lonely, and returning to alcohol and sleeping pills.

On October 10, 1964, 39, 39, was found dead in his room.

“I know that he always wished it for that, and he longed for it … and he took.”

Like the hero of the Pyaasa, the real liking came to Holt, just after he left.

Movie lovers often think that they can live longer; Perhaps it would continue to change the cinematic picture of India with their visual and poetic works.

Yasser USMAN is the author of the biography Dutt: It’s a half-made story